Was in Blues Angel Music yesterday, and they just got in a Romeo. If my heart was not set on a T64, I would have certainly left with the Romeo. Sounded fantastic with the Lollar Imperial pickups. Playability was absolutely one of the best of any guitar I've had the pleasure to play.....really. What was truly surprising was the comfort of the guitar. Fit so perfectly against my body. I actually noticed that first before anything else. Just held it there for a bit before even playing the first note. I definitely see myself owning one of these in the future.

Last year or the year before I foolishly let my T64 go. It was the amber finish with a Bigsby. I would have preferred the gold burst with a trapeze bridge, but they did not have one in stock. Still a fantastic instrument that I regret selling. This past week Blues Angel Music got my preferred T64 in stock. Soooo....I now own my dream guitar. Picture below is my actual guitar that the dealer took. Much much better picture than I could ever take. I feel like an old friend has come home.

I have a guitar legend built by Zane O'Brien in Nova Scotia. It's a beautiful thin line telly that he built for himself in 2001 . I just did a little fret level and setup and kept the action the same height off the fretboard . My question is also a observation but I might be wrong. It's 25.5 scale 11/49 strings and now bends much easier then before ? It's actually has the feel of my SB 59 with the 24 3/4 neck . It's actually the same strings as they weren't old . I installed new pickups and saw it had a little fret wear . The only thing I can guess is I changed the neck angle and then the saddle height with the new setup , changing the break ankle at the saddles . What does anyone think ? Chris please chime in if you have a opinion. The guitar strings tension always felt stiff before . Interesting he built it with a 12 radius fretboard .

This is my first post here.  I'm considering a new to me Eastman E8D for a great price.  Only problem is it's on Reverb so I won't get the chance to hear it unless I buy it.  I've scrutinized the pictures and it appears in excellent condition and according to the present owner sounds and plays awesome.  My question, since it was made in 2011 is there any concerns.  Everything I've read and heard online make me very interested in buying one.  My only concern is if there are any known issues with slightly older guitars from Eastman.  Thanks.

Some recent acquisitions are telling me I need to thin the herd a little.  One option is my E20 OM, VG to Exc condition.  Has one 3mm ding on top and some minor crazing lines in the nitro, only viewable at the right angle.  Minimal fretwear, no buckle rash etc.  Upgrades include a TKL hard case, Grover Statite tuners, and a K&K Mini pickup.

What's it worth these days?  It's super clean, plays great, but the Adi top is just not my favorite - I like the Englemans better.

I recently purchased the stock of a small town Texas music store that was closing after 43 years. Not a big store, maybe 1200 square feet of sales space, with a 24 track recording studio in the back room. NO - I did not bring the desk, it's a 20 year old Audio Centron that weighs as much as a Navy anchor. Whoever buys the building can toss it out.

But I bought all the instruments, amps, mics, strings, and so on.... Most of the stuff is already spoken for. Songbooks and gospel LP's went to one store, all the mics went to a sound company. All the cheapo Johnson acoustics were given to a music school. Band instruments, reeds, mouthpieces, and all that sold to a another store a couple towns over.

What may interest the EGF folks here is all the sets of D'Addario acoustic strings which I have little use for in the repair biz. As soon as I can get them organized, I'll list them if anyone raises their hand. I'm thinking multiple sets for one money anywhere in the lower 48 states. There are also some vintage string sets.... like complete sets of strings for electric Chromaharps…. How often does that stuff pop up? Some classical and uke sets, too. I'll keep all the singles and broken sets, and most of the electric sets. And there were a couple Loar electrics with hardshell cases. Does that make your ears perk up? How about a vintage Kalamazoo lap steel (made by Gibson)? Mountain dulcimer from Branson? Lemme know....

Took my AJ817 to a new luthier for its first setup.
He pointed out something I've never noticed. The nut & saddle are both plastic.
Came home & thought check out the AC615. Looked close it also has a plastic nut & saddle.
My E10SS/V has bone nut & saddle.

I've heard sometimes bone isn't the right choice for certain guitars.
The AJ817 sounds great. The AC615 is the best sounding guitar I've ever owned.

I had an interesting series of events with Blueridge / Saga Instruments.  I decided to make a separate thread, so it doesn't completely derail the other BR thread.

Last Friday, I tried to email Saga Music to ask them about the differences between their "Heritage" series (BR-140A) and "Pre-War" series (BR-240A), aside from the obvious aesthetics.  Specs seemed identical otherwise, so I was curious what drove the $500 difference between these two guitar models.  Their website is terrible and antiquated, and I couldn't submit my message unless I removed all punctuation, including commas, parentheses, etc., so my message looked like a 1800s telegram.

Dear Saga STOP
What is the difference between these two guitars STOP
Why is your website so awful STOP

I was frustrated with the time and effort it took to write a 1st grade looking message, so I decided to search for them on Facebook.  I found Saga Instruments FB page and sent them my query, as well as providing feedback on my website experience.  I received a quick reply from their FB customer service person, and we began an extended discussion.

He said that the price difference was all premium woods and aesthetic appointments (abalone, ebony, etc.).  $500 seemed steep, but considering what Martin charges to jump from a D-28 to a D-42, I was willing to accept it.

My next question was aging toner.  I asked why my guitar had aging toner, when it wasn't listed in the website specs.  He replied that my guitar does NOT have aging toner.  Now, that I found hard to believe b/c my new top is literally gold.

I posted a photo of my daughter's E1OO-LTD, which was a very light top, when purchased new.  This was my second surprise: he said that other guitar makers bleach their tops to make them look lighter.  He proceeded to say that Eastman's "hand-crafted" is pure marketing and that they are really factory built like BR and many other guitars.

So, I posted these two points onto the AGF, knowing that their larger community includes several guitar makers and experienced luthiers, whom I knew would give me the straight story.  The consensus was that my guitar sure looked like aging toner, which has been used by BR for years, and that nobody bleaches Spruce tops.

An highly respected community member reached out to me privately and asked for permission to pass my experience to the owner and founder of Saga / BR, whom he has known for years.  The owner asked for screen shots of my discussion, which I happily provided to him via our intermediary.

This afternoon, I received a reply.  Surprisingly, the top of my BR-240A does NOT have aging toner, as they do not add toner to any Adi tops --- only their Sitka tops.  The yellow color is likely created by the Poly finish, and another AGF member suggested looking at the inside of the top to see what the true Adi top color looks like.

He also agreed that he's never heard of any company bleaching Spruce tops and didn't like that I was told such a thing.  He was also not pleased with a representative of his company speaking negatively about another company, so I expect he'll pass that feedback along to his FB customer service person.

So, in the end, I'm still struggling with the yellow color, but I'm encouraged to know that it's not an aging toner and may change over time.  I'm disappointed about the bleaching nonsense and talking about other brands, but impressed that he gave me correct info about the lack of aging toner on my top, which I found nearly impossible to believe.

But most of all, I'm impressed with the owner taking my concerns personally, albeit with the help of a mutual friend, and providing me with a detailed response to those concerns.  I thought I'd share my story here, since BR seems to be even more of a mystery than Eastman.

BTW, the FB rep also said that they outsource their guitar production to third party factories and provide them with the guitar specs they want to make, so it's a much different business model than Eastman, who owns and controls their own production.  I really like that Eastman controls the end-to-end process: from sourcing to production to distribution.

As a friendly reminder, this is my BR-240A.

Hey! EMS: Don't you think it's time to tell our forum friends about the Gibson remuda you've rounded up at your spread, pardner?! We want pictures!!!

Back and sides....mahogany or rosewood?