Okay....I deleted a thread I had started about a new guitar to keep from being confused with this one.

I bought online from my favorite guitar shop an E1-OM. I usually drive over (about an hour and half away) but this time I decided to go through Reverb. They called me the next day before they boxed the guitar, to let me know the back had a minor ding that must have recently happened. They wanted to inform me so I could cancel the transaction, get something different, or reduce the price on the E1. I ended up getting a E10OM.

The E10OM arrived, and really is a nice guitar. Went through my normal setup process which went quite easily actually. It would be a nice companion for my beloved E20D. Well guess what??

I found out that I am definitely a dreadnought guy. The OM was certainly a fine instrument, but I found that I missed the tone, and vibe of the larger body dread. So I drove over to play their Eastman guitars this time. What knocked my socks off was their E10D. I've read that mahogany has a more woody, dry tonality. Where rosewood (my E20D) has more overtones. This is very accurate.

Both my dreadnoughts sound amazing, and are amazingly different. No redundancy at all. A long post I know, and a more eventful guitar purchase than normal. In the end though I am extremely happy with this E10D. Just beautiful tones, and a joy to play.

Gorgeous Pono 00 on the AGF, $800. no affiliation....
https://www.acousticguitarforum.com/foru...p?t=568869

I'm on the hunt for an Eastman AC508M - its an all mahogany version of the AC508, which is the smaller Grand Concert size that is now only available as the AC108CE-LTD.  There are a couple of nice videos on YouTube. If anyone sees one, or has one to sell, please let me know. Thanks!

Just bought 6 packs of these strings, but my E20D prefer monels. So $24 for all 6 packs sh/pp to your door....thanks.

I can't help it, I keep finding these awesome and precious Eastman acoustics up on the block.
I generally don't even look at eBay, but last night...I did...
And right in front of me is an awesome AC712.
So I sent out an offer...and they accepted it.

So, the extremely cool thing about this AC712?
It's ANOTHER Baby Jumbo, like my AC510.
Except it's Rosewood b/s, not Mahogany.

So I didn't know anything about these older 'baby jumbo's' just a few months ago.
When I bought the AC510 is when I discovered what I had bought, After the fact!
So when I got it in, I really liked it, a lot.
And I said to myself...now that I'm hip to these older baby jumbos...
Wouldn't it be nice to score a Rosewood Version of one?
Haha! Last night, I knew Exactly what I was looking at.

Here is a pic from the eBay ad.
I Love Eastman Baby Jumbo Guitars!

I wonder if anyone else thinks about the resale value of a guitar when buying. If I am paying a small amount for a guitar, then I don't really care about resale value. However, if I am going to pay big bucks for a guitar, I definitely wonder if I can get my money back 5 years down the road. For example, if I find an awesome deal on a Martin D-18 and then find an absolute jewel in an Eastman E10D, I would buy the Martin. I know that Martin values always go up. However, I know that I would be lucky to get half the price I paid for the Eastman.That is the only negative about paying big bucks for an Eastman. Most people have still never heard of them, and this causes resale to be low. I have played many Eastman guitars that totally blow martin out of the water, but that Martin name on the headstock carries alot weight when it comes to price.

New statement today from Dana Bourgeois on the Bourgeois Guitars FB Page. I'm posting here in its entirety.  What do you all think?

"Dear friends,
 2019 was an exciting year at Bourgeois Guitars.
 The big news, of course, is our recent partnership with Eastman Music. Many are already aware of the particulars. For those who aren’t, following are a few highlights.
 I am still an owner of Bourgeois Guitars. I will continue as CEO into the foreseeable future. For the foreseeable future, Bourgeois Guitars will continue making guitars in Lewiston, Maine, and continue distributing our guitars throughout the US. Eastman has already begun distributing Bourgeois guitars internationally, and will eventually handle most overseas sales.
 We are pleased that most folks in the acoustic guitar community are already familiar with the details and ramifications of our recent news. We are also aware that misconceptions still exist. The most common misconception is a rumor that association with Eastman will cause American jobs to be exported to China. This couldn’t be further from the truth.
 On the contrary, over the next two years we plan to steadily increase our local workforce. Though Eastman’s distribution efforts have just gotten started, overseas sales have quickly risen to the highest level we’ve seen in years. As a result, we are already hiring—not to keep abreast of workforce turnover, but to keep abreast of current and anticipated demand.
 In addition, our two-year development plan calls for acquisition of new light and heavy equipment, all to be purchased exclusively from American suppliers. Plans are also underway to expand our Lewiston facility. I can assure you that such developments unambiguously benefit both the local and US economies. I can also assure you that this level of growth would not be possible without Eastman’s collaboration.
 The second most common misconception we’ve heard is that the Bourgeois brand will somehow be cheapened or diluted by association with a maker of less expensive instruments. While it is true that brand degradation would likely occur if we tried to fool customers into thinking that guitars manufactured by Eastman were somehow made by Bourgeois, I can aggressively assure you that we won’t. Allow me to explain how we plan to proceed.
 The average Bourgeois guitar retails for about $6,000. The cheapest retails for a little under $4,000. While we have always aspired to build quality guitars at lower price points, the economics of micro-scale US manufacturing dictate that we would lose our shirts if we tried.
 As previously announced, Bourgeois and Eastman will address this conundrum by collaborating on a new series of guitars that will be partly produced by each company. Bourgeois will be responsible for design, materials selection, production of voiced tops, final setup and quality control; Eastman will assemble and finish guitars to our specifications. Not only will this collaboration further increase job creation in Lewiston, it will also allow us to crack the $4,000 price barrier, and by a significant margin. US introduction, by the way, is scheduled for the latter part of 2020.While co-produced guitars will carry a Bourgeois headstock logo, they will also be distinguished by an unambiguous Series designation. Most significantly, the label inside each co-produced guitar will clearly credit Eastman’s role in it’s manufacture.
 The slogan, “Made in Lewiston, Maine”, heretofore proudly displayed on all Bourgeois labels, will in the future be reserved only for guitars made entirely in Lewiston, Maine. Guitars made entirely in Lewiston will continue to be built by the same process, to the same designs, and by the same highly skilled craftsman who made them prior to our association with Eastman. The only difference is that we now have access to better equipment, facility and materials, and are already able to provide employees with better benefits. We sincerely believe that under such conditions, the quality of a guitar made in Lewiston should only continue to rise.
 Finally, we’ve heard variations on an unfounded rumor that Bourgeois guitars will soon be carried by every US Eastman dealer. Again, not so. While Eastman’s dealership network will undoubtedly help introduce Bourgeois guitars to previously untapped foreign markets, only a few qualified Eastman dealers will be allowed to represent Bourgeois Guitars in the US. Moreover, new dealers will only be opened in markets that do not already support existing Bourgeois dealerships. In short, the Market should expect, as we do, that expansion of our dealership network will continue to be gradual and organic.
 Each day I wake up feeling that my best guitars haven’t yet been built. Partnership with Eastman only reinforces that belief. I judge the quality of a guitar primarily by the music it makes in the hands of its player, and by the joy it brings to player and listener like. While alliance with Eastman may put Bourgeois guitars in the hands of more players, the rest is still up to me and my Lewiston, Maine, team. We continue to take that responsibility as seriously as ever.
 Please help spread these messages to anyone who has not heard them. Thank you in advance for your continued support.Sincerely,Dana Bourgeois"

I thought this was well done and very balanced.

https://www.youtube.com/watch?time_conti...e=emb_logo

Just thought I'd mention it, just saw it pop up tonight.

No affiliation, I just keep my eye on used Eastmans.

https://reverb.com/item/31149678-eastman...td-edition

Got a t486 and felt in love with it, plays amazing, looks awesome, sounds great acoustically!!

But plugged in it sounds very dark, especially on the neck pick up(I struggle to make it a bit bright and it’s very loud comparing to bridge pickup, which is more balanced...) And now reading about it, I see most people are saying it’s a bright guitar(SD jazz is a bright pickup).

Anybody has an idea of what could be causing this? Is it the pick up height(tried to changed it to not much effect), the amp, wiring, pot problem? Maybe a default somewhere... Or is it normal.
Watching videos again, others does sounds brighter than mine...(and with darker settings on the amps).

I was thinking of changing pickups but I guess first I should check if everything is ok with it...

Any ideas will be welcome
thanks