I was in my local GC the other day and they an Eastman E20SS Sunburst that was just beautiful. I sounded great too. My only issue and I know that it is probably me, I just don't like the headstock unless it is the flat head style that resembles a Martin.
 
It is still a really nice guitar if anyone is interested. It on the GC & MF websites.

Hi,
Has anyone ever installed a strap peg on the side of an archtop before?  I am thinking about position #3 (from the much-referenced guide of every conceivable strap-peg position ever, pasted below).  I'm guessing that there's no blocking inside an archtop to support a peg in position #3, so I will need to go with position #5.  Has anyone put a peg in either position #3 or #5 on an Eastman Archtop?  

I am the new owner of an AR403CED, which I just bought yesterday from Lou at Guitars N Jazz in Summit, NJ.  It's my first Eastman, and my first jazz box.  So far, I think I am loving it.  But when I play standing up, the stock strap peg (in position #1) feels uncomfortable for me, and I much prefer the feeling of my Gretsch hollow-body (with a peg in position #3) when played with a strap. Pegs in position #1 always make a guitar lean away from me, and feel less stable, and I like when they are nestled in close.   

(I'm a new Member here, and this is my first post.  I'm looking forward to diving into the mix with everyone, and I appreciate any replies.  I always appreciate pics to illustate what people are saying, too.)
Thanks 

I looked at a new arrival today at the Eastman dealer here in Memphis today.
A E1DSS SB.
it was very light and VERY loud.
But what struck me as the most unusual feature was that it had “ purfeling “ around the inside edge of the soundhole.
It appeared to be light colored wood.
I don’t think I have ever seen another guitar with the edges of the soundhole bound like that.
If anyone else has one or gets to see one can you confirm that they are like this?
Eastman website does not mention it.
I will try to get some photos next week.

Eastman makes world-class hand-made guitars that are second to none. 

The quality of these guitars is absolutely top-notch. Never owned a Martin or other boutique, but had a Gibson once. Sold it after getting my E-10. I own two (E10-SS & AC522-GB) and traded in an AC-122 once.

Curious - do any of you regularly apply fretboard oil to condition your fretboard wood?  I've never done that, but wonder if it might be a good idea, especially here in Arizona..

On one of my other guitar forums there's a lively discussion on members focused collections, subjectively defined by the OP as three or more of anything. With that in mind, what are some of your current collections? For me, adhering to the definition above I have no collections as I only have two Eastmans and two Gretsches (so far). I am eyeing possibly another Eastman so I may soon be a collector.

a new first - I am lost for words ...

https://www.youtube.com/watch?v=10S9Gy5Ckjg

I was at our local Eastman dealer in Memphis today .
It’s Martin guitar on Poplar Ave.
they had a new Eastman E1D Special for sale.
It was all gloss with a TC Sitka top and beautiful burled Sapele back and side.
I would more describe it as “pommele” figure.
It was a really great price and sounded really good.
I took some photos but the back is really dark and glossy so you can’t really see the beautiful figure very well.
I can’t believe that you can get an all solid gloss finish exotic wood guitar at this low price. I think it was $699.
I don’t know how many they made but by the looks of the wood it can’t be many.
Robert

Attached Files

IMG_6200.jpeg

File size: 2.78 MB

Downloads: 46

Hi there

Just stumbled across this video. Maybe someone shared it already, sorry if so.

so there you go:





Cheers
Mitch

I've narrowed my search to the Eastman E10OO and the E20OO.

Unfortunately, I am unable to find them in a guitar shop near me to try either of them out, and was hoping the the fine folk here could help me with as I make my decision. I play mostly fingerstyle but not particularly blues stuff. I am planning on getting an all-mahogany guitar in the future, and would love if the Eastman could be a good complement to it in my arsenal.

In addition to the different S/B woods and a little more aesthetic details on the E20OO, I noticed a post for the E10OO at LA Guitar Sales has a "20 year Old Adirondack Spruce" top. I'm not sure if that top would make much of a difference, and whether I should be taking that into consideration.

Bonus question: I also saw the E40OO that Silly Mustache talked about. It's much more outside my budget, but I'm willing to figure it out if it is really worth it. I've read that more "premium" guitars also get more "premium" woods. Beside the added bling, would there be much of a difference between the E20 and the E40 in terms of sound?